The first thing to determine is how you see things. How does your brain work? Some people need everything on paper in a notebook where they can physically touch a page - while others like to store items on the computer. Do you need it to be accessible everywhere? Like in the cloud?
It took me about 2 years of trying everything I could think of before I settled on OneNote. And it’s fine if it takes you awhile to find what works for you. Here are some options.
In my DE Series notebook I have the names of each character on the left – in their notebooks (like having a folder), my timeline, my settings, my magical systems, etc. Then within each folder you can create as many pages as you want and they all show up as separate tabs in the center. Then on each page you can type anywhere on the page and you can in drag photos. The reason this system works well for me is that while I’m writing or editing and I add something (like a character’s tell or new hairstyle) I can immediately copy it and paste it into the correct sheet in the correct notebook in less than 10 seconds. I want to spend as much time as possible creating my content and as little time as possible tracking it all J
I encourage you to experiment and find what works for you knowing this is anything but a “one size fits all” journey :)
All My Previous Writing Blogs Are HERE and HERE
The Series Bible: Options for Starting One
Getting Into the Heads of Your Antagonists
Two Projects at Once
Learning the Hard Way - What NOT to do When Designing Your Own Book Cover Model Shoot
Writer's Brain - Whose Brain is it?
Submit to a Writing Contest and/or be a Judge
Accountability Using Google Spreadsheets
There are 26 here and 7 more here
We pull our characters from a myriad of situations. Sometimes we stitch them together like Frankenstein’s monster – a little from one person, something else from another until a character emerges. Other times we combine two or three people we know really well, into one. Then there’s the character that makes themselves up; you know the ones. They download into your head and there’s nothing you can do to stop them. They are born like children with fully realized personalities. They may even have built-in catch phrases and drive specific cars. Those are the fun ones, the ones that you can’t fight off the page. No matter how much you try to bury them, they keep knocking on the inside of your skull until you let them out. I have one such character but this blog is not about him because characters such as those need no help, save for our discipline in getting them onto the page. This blog is about the first type of character, the one that’s stitched together like a patchwork quilt.
The other day I was purchasing plants from a nursery. A simple task. As a woman who worked there helped load them into my car she stated an observation. “You drive a Yaris, you get better gas mileage than a Prius.” The woman next to us had just pulled up in a Prius and the woman speaking to me showed unbridled disdain for the other car.
Now there are a few ways I could have proceeded. I could have simply said, “Yes, thank you.” thus agreeing with the obviously opinionated woman and our conversation would have been over.
My father (who I relayed the conversation to later) assured me that’s what he would have done. But, among my many faults I’m contrary, I pride myself on telling the truth and I like to stir up trouble. Plus I had very recently had a long conversation with my father about my car. Yes it gets great gas mileage, there is no doubt about that. It also blows into the other lane on the freeway when a truck passes by or when there are winds above 30mph. If you watch the collision dummy footage you will find, to my dismay, that if another car plows into a Yaris at a low speed (with older models such as mine) it crumples up like a tin can.
Therefore my response to the woman was something like, “Yes but if someone hits me there’s a good chance I will not survive.”
To which she actually replied something like this: “That’s a conspiracy. They want you to believe that but those statistics are all made up. There haven’t been any car accidents in California in the last ten years. The news is full of lies about cars in order to promote fear and make people spend more money to buy more expensive cars.”
I was flabbergasted. I actually tried to argue with her by telling her I had viewed the crash test dummy footage online. She argued back telling me, and truly believing this herself, that the footage was faked. Her next statement, the one that had me walking away shaking my head was: “And if you put those negative thoughts of an accident out there, you will draw one to you.”
Now I believe in positive thinking and affirmations just as much, if not more than the next person but I am a realist. I do not think that if I jump off a tall building and believe I will land unhurt that I will indeed land, unhurt. I also believe in plenty of conspiracy theories but when I drive my car I feel like I’m driving a tin can. As for no car accidents in California… I don’t even watch the news but I personally know of three people who were involved in automobile fatalities in the Bay Area in the past few months and have personally witnessed several not fatal ones myself, quite recently.
But alas… what’s the message here? The importance of all this? That woman makes a GREAT character, or more so, part of a great character. A character who truly believes these things to be true. And I would have missed out on all of that good fodder if I had just agreed with her and moved on. The lesson/s – talk to people, listen and ask questions.
Something major happened to me recently. Life-changing major. I lost a parent by choice, not by death. There was a tremendous amount of drama leading up to the culmination, much like Act II leading up to the black moment in our novels. After the “incident” which took almost six months to play out, the obsessive thinking began. “They should never have… Why did they… I’m so upset about…” etc. Since this event coincided with the outlining of book 4 in my Distant Edge Series I couldn’t keep it from crossing into my thoughts. Before I knew it, a big part of the book’s drama revolved around my character’s issue with her parent. I added similar lines spoken by my family members because quite frankly – they sound crazy, I couldn’t make this $#it up and they make convincing characters.
Looking back on my first three novels in the series, which are already written and will be published starting in May 2017 – I found that my antagonist was completely based on the family member attached to the parent I lost. The character uses modified phrases that this person has spoken to me. Her personality in my books mirrors that of the personality she has shown me for the past thirty years.
Why do this? First of all – sometimes it can’t be helped. Things that are going on in our subconscious comes out in our writing. Secondly – it’s cathartic. It helps us make sense of events, personalities and confusion in our own worlds. Thirdly – and most importantly – it makes for great well-rounded antagonists or protagonists, depending on how people in our lives have treated us.
I received book 2 back from my editor a couple of weeks ago and her comments elicited so much emotion I started to cry (with happiness). She found conflict and motivation within my protagonist that I didn’t even know I had written. This is where our true-life events come out. We can completely fictionalize them and keep the gist or we can use actual events and what people have said to us, changing their names of course.
Everyone’s heard “you write what you know” which is true but we also write “who we know”. Therefore I encourage you to turn all of those wrongs in your past into rights. If you can’t change what happened or the hurt someone has caused you, use it in your book. Turn those meanies into antagonists. Turn their insanity and self-righteous, thoughtless behavior into the conflict your protagonist must overcome. Take the crazy words they have spoken to you, change them a little, and make it part of your antagonist’s dialogue. Not only will this make you feel so much better, it will lend authenticity to your characters. However it is important for your antagonist to believe that what they are doing (their motivation) is right, no matter how heinous it is. Otherwise they’ll read like a cartoon villain. Think of this as a way to process while staying true to your art form. And, it’s probably best not to tell the people who have wronged you that you’ve made them into bad guys in your books. You don’t want to be sued for liable or defamation of character.
Written by: Chloe Adler
Last week someone asked me the question, “How do you manage your unmanageability?” My answer: Accountability.
A few months ago I decided on an exercise challenge. After two years of bi-weekly handstand classes I still could not balance on my own in the center of the room. After asking experts I was told, “you need to practice every single day no matter what, for a minimum of two minutes a day. If you do this, in six months to a year you’ll have your handstands.”
I asked a friend in my handstand class if she would be my accountability partner by checking in every day via text. She agreed and we formulated a plan. We made lists of all of our exercises, given to us by our teachers and started checking in daily. After a few weeks I put all the exercises on a google spreadsheet and invited her. Each day we check off what we’ve done and other women have joined us. Happily… it’s working. I can now hold a handstand for up to six seconds on my own in the middle of the room, after only two months of vigilance. I am also in the routine of practicing daily with daily check-ins to my accountability partner.
Why not do the same with writing? I recently formed a critique group, which has been incredible. However, I had not been writing daily and I need to be as I’m very close to finishing my fourth novel. I asked a few people in my critique group if they would be interested in being accountability partners. Instead of checking in daily, which is a good idea, I went straight to a google spreadsheet, inviting some of my critique partners and formed different tabs for each of us at the bottom.
Along the side are the dates and across the top are: word count, time spent (writing), place (we wrote), emotional state (before and/or during the writing).
Each day I record whether I have written or not and I also look at the other writer’s progress which pushes me further. Google Spreadsheets are great for this because you can invite whoever you want to join them. You can look on their spreadsheet to see what they are doing, they’re free and you can use them on all of your devices.
The other day I saw that one of the writer’s was writing up a storm and I was not so I sat down to write. I don’t feel competitive doing this process, I feel spurred forward by their accomplishments. A sort of “if they can do it with their full time job and husband, I can too”.
I have a deadline too, that I set for myself – I want to be finished before the RWA Conference in July. I looked to see how many words I needed to write a day for that goal and it’s beyond doable. Joanna Penn recently asked a writer on her Podcast, The Creative Penn, what made them finish their first book and the answer for them, as well as for Joanna, was to form a deadline.
Having accountability partner/s is one great way to make your writing goals. Setting a deadline is another. All that said, if you don’t write for a day or two or three or four the most important is not to beat yourself up about it. You can always look at “today” – whatever day is today as the first day you’re going to start and reset your goal accordingly. You can also be realistic. Maybe you only have time to write 1-2 days a week. Accountability can still work. Make sure your partner knows what works for you and what you’re agreeing to do.
Here are two other great articles on accountability, writing, and deadlines J
8 Accountability Strategies for Writing Your Book
How to Hold Yourself Accountable As a Writer
~Written by Chloe Adler
I know there is a lot of information out there about this and the bottom line is that your antagonist needs to believe that what they’re doing is right, for whatever reason. You can’t have an evil character for the sake of evil. Most people don’t think they’re evil although truth be told, I have run across some who prided themselves on it. We call those sociopaths and they don’t usually make interesting characters unless they’re Dexter – and even in his case he believed what he was doing was right. Think about all the antagonists from your own life. If you were to ask them why they are so mean and hurtful they would all have “good” reasons or say they weren’t being mean and hurtful and blame it on your interpretation.
Most likely a person is not born with this behavior, unless it’s pathological. They will have learned it in a variety of ways. Here are six examples/reasons, though I’m sure there are more.
Most authors choose #3 and develop a backstory for the antagonist but any of these options can be flushed out nicely. The antagonist’s motivation should also be connected to their goal, which according to the book Take Off Your Pants, should be the same goal as your main character.
The TV show Daredevil is a great example of a fully realized and well-rounded antagonist. Wilson Fisk is an evil character but as we get to see his childhood, we understand how he developed into what he is today. Sense8 has a great antagonist as well, Silas Kabaka. The character, who is quite cruel to people, has a daughter that he loves more than anything else in the world and would sacrifice everything for.
“Per the book Take Off Your Pants an antagonist offers a different way of seeing. As the “photo negative” of your main character, he could have been your main character if his path through life had been just a little bit different. The antagonist has to want the goal as badly as your main character does. Show the reader why he wants it.”
Take the time to flush him or her out. Make them authentic and believable with motivations we can accept. Then take your character, the one that everyone loves to hate and escalate him to a new level.
By Chloe Adler
“Write about what you know and care deeply about. When one puts one’s self on paper — that is what is called good writing.” ~Joel Chandler Harris
I’m no expert but I do know that when you write a book and/or character, a lot of research has to go into it to make it believable. For example, one author I spoke to recently used firearms in her book so she took shooting lessons. This is what we, as responsible writers, do – strive for authenticity. More so, this is what we wake in the morning itching to do…
Researching is one of my favorite aspects of writing, it makes me giddy inside.
For my first novel - which now lives under the bed - my main character was a thief named Lizzy.
When Lizzy learned how to lock pick I learned how to lock pick. I watched youtube videos for hours and hours and because I didn’t have a lock picking set (yet) I made my first picks out of paper clips. I then proceeded to pick every lock in my house. Within a week I could pick the deadbolt on my front door with a paper clip (actually 2 paper clips as one is used as the tension wrench) in under 30 seconds. No, this did not make me feel safe but it did make me feel quite accomplished. That’s when I realized I’ve always been a lock picker. It started when I was a wee tot and would pick the bathroom locks with broken off Q-tips, the cardboard ones, not the plastic ones. I didn’t understand the mechanism of a lock (tumblers and the shear line) then but I still had the innate ability to do it. Maybe it’s because I spent many hours locked in my room, true story. Or maybe it’s because when I set my mind to do something I do it. Persistence-are-us. Who knows why? It doesn’t really matter.
What matters is throwing yourself headlong into that research. Almost as if you’re an actor and you’re method acting. You become your character. Lock picking can even be a metaphor for whatever it is you need to learn in order for your character to be believable and well rounded. You could go into your story and character development giving them a skill you have already mastered, one you’ve always wanted to learn or one you knew as a child but forgot somewhere along the way.
What I’ve learned from writing thus far is that a majority of it crawls up from the deepest, darkest hidden parts of ourselves, clawing and scratching its way to the surface, staining the blank pages of our lives.
By Chloe Adler
Sometimes writing is like being in a trance. How else can it be explained? When people have experiences, like taking the kids to the zoo for the first time or falling in love; we remember them. We may even remember what our lover was wearing the first time we laid eyes on him or her. We may remember how they wore their hair, what jewelry they had on and even what they said. The emotions we felt and some of their physical aspects are burned into our memories like a hot poker or more apropos, like a brand.
For me, writing is the opposite of that. Many times I write a scene, a chapter or even an entire novel and then I re-read it and have no recollection of writing it. I noticed this strange phenomenon starting with my first novel a few years back.
Last month I was re-reading a scene I’d written a week or two earlier. As I was reading it I actually gasped and said aloud… “He’s adopted?” The two writers in my writer’s group looked up quizzically because they both knew I was reading my own work. Then they laughed.
I asked, “Do you guys ever forget what you write?”
They responded with, “Sure sometimes, but not key elements like that.”
In my defense even though I’d plotted this book, I’ve allowed myself a lot of leeway. I may know the GMC (goal, motivation, conflict) going into each scene but I may not know how that’s achieved until it happens. So in this particular scene my secondary character, the hero, suddenly announced that he was adopted. This happened close to the end of the second act, not at the beginning of the manuscript. And thus, I had forgotten and was shocked to re-discover the bump. Plus, so much about his character and choices earlier in the book suddenly made sense.
Even more recently I was writing a scene, the one before “the black moment” and during it I got really bored. I don’t have to point out that this is not a good sign. I stopped writing and thought about it for a few days. Suddenly a quick fix came to me but I didn’t think out the details. Instead I sat down to write and the details blossomed beneath my fingertips. I still have no idea how the correct words “came to me”. Maybe that’s called “being in the zone”.
Pay attention to that - those moments when it feels like you’re reading someone else’s book even though you wrote it. That’s a delicious place to be.
By Chloe Adler
I like to hone my eavesdropping skills, in the spirit of work. Really. Each of our fictional characters speak in a different voice. Therefore, listening to others is a great way to see how people talk outside of your immediate community for um… character development.
Whereas one character may sound like a grumbly religious naysayer, another may have the vocal inflections and vocabulary of a “valley girl”. Each character not only uses different verbiage, most don’t speak alike in inflection or tone. I pondered this fact of good character development for some time before I decided the best way for me personally to get the “hang” of that was to eavesdrop on other people’s conversations in order to keep all of my characters from sounding exactly like me.
It began innocently enough. I was renting a room in a young girls house (via airbnb.com). I've used airbnb.com exclusively for traveling since 2011 and have had some amazing experiences as well as meeting lifelong friends. I was renting a room from a very sweet 20-year-old college girl. At about 8:30 or 9pm she asked if it would be okay with me if she invited some girl friends over to talk quietly in the living room. I agreed without realizing what that really meant. By 10pm there was a ruckus of loud, giggling girls talking about boys, sex, frat parties, make-up, other girls and more. I couldn’t focus on my own writing so I started writing down what they were saying instead. I also started texting tidbits to my friends because some of what I heard was not only difficult to believe, it was priceless. I learned more in that hour about 20 year old girls than I thought possible. And although I too was once 20, things have changed and more importantly, you forget. I won’t repeat most of what they said since it was personal and not for an under 18 audience but I will spill my two of my favorite lines, spoken by my host.
1.“I prefer to date 25 year old guys because they… well, they just know everything!
2. "And not just about sex, they actually know everything!”
I had to sit on the bed in the room I was renting with my hands firmly clamped over my mouth for much of their conversations.
I have a weekly writer’s group at a local café and last time I was there I ended up sitting next to two very loud 39 year olds who were upset and vocal about coming up on 40. Their conversation was not only extremely loud, so loud I couldn’t get any writing of my own done, it was informative. I had to open up an entirely new document. I use evernote for all my notes because it synchs to every computer, handheld and laptop you own, even the free version. I started typing, word for word, everything they were saying. Exciting personal tidbits aside I learned about orthorexia, an eating disorder where the person develops an unhealthy obsession about eating only healthy foods. I also learned about one woman’s struggle with her child’s video game obsession and how grateful she is to have her child engaged with the family again after completely cutting video gaming out of his life. “It’s an addiction,” she said, “like anything else and he went through a period of withdrawal and depression.”
As you can see eavesdropping provides:
What have you learned this week from listening in on other people’s conversations?
By Chloe Adler